Documenting the process (or am I just creating content?)

 Hello there fellow creatives! 

Scrap thread in a mesh pocket with felt surround.

Felt shape with mesh window, stuffed with yarn scraps.

We have reached the tail end of 2025. The calendar has just ticked over to December, and it's now that those of us who leave things until the last minute, really start to panic about the lack of organisation for Christmas day. As the years roll on, I'm less and less enthused by Christmas and all of the expected trimmings. In fact, I don't care for Easter, Mother's Day, Father's Day or any other day that I once viewed as nothing more than a day off work, but now view as a time when my inbox is flooded with marketing campaigns from corporations big & small. As others on the interwebs have noted, if you can't remember the name of that obscure company you bought that thing from 10+ years ago, just wait for Black Friday, Cyber Monday of the pre-Christmas/Boxing Day sales, because sure as shit they still have your email on file, even if you opted out of receiving email marketing.

But I digress. There has been quite a bit of creativity happening this year, and I've documenting it a bit more. Mainly for my own benefit, as I'm trying to document the time it takes to make things as well as understand any hurdles in the process I may have encountered. I also find it a useful tool for spring-boarding other ideas off.

The Summer was spent working on the needlepoint project. What began as random shapes stitched in the wool colours I had on hand, blossomed into a larger scale project with some thought put into the colour palette as a whole. My meagre stash of op-shop acquired wool has grown to a large hamper full of colour sorted zipped bags. 

Needlepoint shapes in abstract designs, on the WIPboard.

An abstract needlepoint shape in progress.

A needlepoint design that needs a backing and edging to be completed.

A larger scale needlework canvas, stretched onto a timber frame.  Still in progress.

I actually worked on it for most of the first half of the year. I had to pack it away for a while, because I was getting pins and needles in my hand from overuse.

In March, some very dear friends of ours got married. It was possibly one of the warmest Labour Day weekends we'd had for years, but honestly, the day was perfect, the setting was lovely and it was just an all round special day.  It's not often I put on make-up and a dress nowadays, but I was happy to do both on this occassion. 

Me.

I had an idea to create some Comfort Cushions, as an antidote to the sad state of the world and the constant anxiety that had taken over my days. The Real Job™ cash flow was very unstable, and it was causing me quite a few sleepless nights. I hadn't managed to sell any of my own crafty wares in the hope of easing our financial woes, and I needed a project that would, A)keep my mind occupied on something, and B) maybe generate some quick cash, as I planned to sell these at a lower price than my wall hangings. 

I was unsuccessful with the selling part, but really enjoyed the creative part. I'm fascinated by talismans and symbolism, and loved coming up with the imagery to go with the feeling I was trying to evoke.

Six Comfort Cushions in a small cupboard. The front cushions show the back with the token pocket.

If anyone is interested in buying one or more of these cushions, they're still available. You can find them here. 

As with most of my projects, once something is done and photographed, it's packed away and I move onto the next thing. Surprisingly, this time around, instead of starting on something completely new, I picked up a project I'd started on a whim , roughly 12 months earlier.  I figured it would be quick and loose, but of course, halfway through, I JUST HAD TO source some new (old) materials to create the vision I had in my mind. And then make some new hanger designs to display the finished piece from.

Stitching the shapes to the backing.

Adding the details.

Trying to get lots of texture and depth.

The finished wall hanging. Complete with hand painted timber hanger.

Other completed projects this year have been the stripping back and repainting of a small dolls cupboard, into a display cupboard to showcase my wares. And to hang behind that, an abstract fabric artwork, sewn onto linen and stretched over an Op-shopped canvas.

Abstract artwork behind display cupboard.

October rolled around and talk on the MadeIt socials turned to Christmas products. I'm not usually one to make things specifically for "Hallmark Holidays" as I like to call Christmas, Easter, Mother's Day, Father's Day, Halloween etc. To me, they're days in the calendar marked by how much overpriced stuff we can have pushed on to us. But I'd really enjoyed making the Ugly Christmas Jumper cushions last year (which I can't believe I forgot to share on here,) so I thought I'd expand on that a little bit. 

Ugly Christmas Jumper cushions that I made in 2024. Made from fabric remnants, felted wool jumper scraps, beads, sequins, ric-rac & embroidery.

Whilst flicking through a book on A-frame cabins, I was struck with the idea to make a gingerbread house cushion, as an A-frame house.  I hunted through my fabric stash for some brown fabric that looked close to gingerbread, but didn't have anything suitable. I ended up finding a length of cotton flannelette at Spotlight on sale, and despite my better judgement about buying new fabric for my craft projects, I knew that if I didn't get this cushion made, it would haunt me. So I threw it in my basket and got to sewing once I got home.  It didn't come together quite how I visualised it, and it's not as bright and cheery as the jumper cushions. 

Gingerbread house A-frame cushion made from new cotton and remnant fabric, trims, beads & embroidery.

Because of this, I only made one. I was also struggling to reconcile creating Northern Hemisphere Christmas imagery for a Southern Hemisphere Christmas. Despite this, I have since seen an absolute glut of gingerbread house themed Christmas decorations in stores. I listed these cushions at the higher price point on the site, because quite a bit of work went into them.  I've since sold 2 of the jumper cushions (surprisingly to warmer states of NT & QLD) but have not had much interest in the newest one. I don't think I'll make Christmas themed decor next year. Unless requested by friends or family.

I'm actually having a big rethink on my craft practice in the future. I keep having big ideas, but then get derailed by the thought that I have to make things that I think people will buy. And then they don't, and the big idea has drifted away and I start another untethered project just for the sake of keeping my hands busy.  Or I start the big idea, do a deep dive on Pinterest or Instagram or even my vast library of craft books and magazines, only to realise that the influx of visual stimulation has thrown me off course completely, or knocked the wind out of my sails because I don't think I'm as good as other creatives.

So I'm going to go back to making things that make me happy or teach me new skills. (Gotta keep the brain active! Old dog, new tricks etc!)

I want to finish the wall hangings that I made the relief hangers for. I've got six hangers with no artwork that keep staring at me from my WIP board. I don't have the wall space to display them when they're finished, but that's a bridge to cross on another day. For now, it's all about the rush to get Christmas organised, buy presents, work out where we're having lunch on Christmas day and then breathe a big sigh of relief when Boxing Day rolls around. And we're back to that weird, in-between time when the days blur into one.

The shift.

 Hello there.

We're already 15 days into 2025 and I'm scratching my head at how the time has flown so fast. Where was that quiet, don't-know-what-day-it-is time between Christmas and the New Year? Did I not notice it because we've already had massive bush fires across the country, that had everyone on edge? And then once that was brought under control, our media was filled with images of fires raging in LA? Combined with the ongoing heartache of the genocide in Gaza and the upcoming inauguration of the Orange one, it feels like too much, all at once.

I like to spend these melding days in a number of ways. Generally, I sleep late (if the weather doesn't make the house unbearably hot), then either craft, potter in the garden, watch movies with the family, read or scroll social media. There hasn't been as much gardening as usual, thanks to cloying humidity and a nagging elbow injury that requires me to take it easy with the weed pulling.  I've had some lovely lazy time under the fan, losing myself in a book. I've spent hours hunched over at my desk, revisiting needlework in a way less traditional than learning from a kit.

 There's also been a smidge of exercise happening, as my daughter coaxes me from under the fan, to join her on walks around the neighbourhood. 

And I've lost hours at a time, scrolling through Bluesky, posting inane thoughts about my life whilst feeling heartsick at the atrocities occurring all over the world. (I deleted my Twitter/ X account at the end of 2024.) I used to enjoy jumping onto Facebook and Instagram. They were both good sources of information regarding events in the area, or places of interest that I might like to visit. But they have become so polluted with sponsored posts, reels and AI generated slop, that there is no point to either of those sites anymore. I used to love Instagram and mourn what it has become.  So I'm weaning myself off social media and trying to find my tools for relaxation and creative inspiration elsewhere.  And I'm going to try to post on this blog more often. It's more for my own benefit than anything else, as I don't think anyone else reads it. (If you do, leave a comment saying hello.)  I do need to try to keep some sort of online presence, as I  have a website and an online store that I'd like to get some traffic to. What's the point of paying subscription fees and web hosting costs if no-one is seeing your stuff?

I really enjoy discovering craft blogs that show the creative process and the creative spaces. Maybe I should do more of that myself. Again, it's good to have these records of the process for my own benefit. Why shouldn't I share it with others that might be inspired in some way?

So that's what I intend to do. Shift away from anything associated with Meta and shift towards reigniting the joy I found from reading and writing blogs in the early 2000's.

Who's with me?

Spring Things.

 Well, hi there!

Can you believe that it's September already? I ask myself the same question every year. Where does the time go?

As usual, I had plans to achieve so much, but those plans were derailed by various life happenings, as is often the case. But that's ok. I'm a "go with the flow" kind of gal, so I'm not too stressed about not crossing things off my loosely scribbled to-do list.

I finished the quilted wall hanging that I was working on in my previous post.  I had some challenging moments when it looked uneven and then I was worried that I had cut my binding too narrow. But I persevered and finished it and I'm very happy with the outcome. It's listed here.

Finished abstract quilted wall hanging ©2024

I had a very different idea for the mounting, but despite spending a few days noodling around in the garage, I couldn't get that idea to work quite how I envisioned it. So I mounted this piece on some lovely scrap timber that I bought off a cabinet maker. I think it's oak.

I tried to get better at using power tools to do some of these timber projects, but honestly, most power tools are not made for small hands (and more so when those small hands are having grip strength issues!) I had to wait for days when The Bloke was available to do the timber work, because what would take me hours, he could knock over in a matter of minutes. I've got a nice batch of timber hangers in stock now, so that the next piece I make won't be held up by my not having them finished and ready to go. I've got a mix of plain timber, which I'll sand and then give a beeswax coating to, as well as some textured ply that I'm playing around with.

Textured wood hangers, painted in grey primer.

Timber scrap with an abstract pattern burnt onto the surface.

Timber hangers with paste applied to create a textured surface.

It's frustrating when you have an idea in your head, but can't work out how to make it a reality because you don't have the skills or the materials to make it work. And on top of that, when you try to do things in a sustainable way, that's an added hurdle to get over. Sure, I could 3D print something, or have it vacuum formed or moulded. But that's expensive, usually made from toxic materials, pricey or too slow for my impatient brain to wait for. The wood burning was a fail because the wood was too hard and the tool got stuck in the grain. If I tried that again, I would use a softer wood, like pine.

The wet, windy days we've had over Winter have been the perfect time to experiment in the garage. I did learn though, that sanding wood creates a fine dust that get's over everything! (I was wearing goggles and a ventilator.) All of the camping gear, exercise equipment and suitcases were covered in dust, so I need to invest in a better extraction fan or cover the stored items in tarps and boxes.

I haven't much felt the urge to start on a new project lately, but I have been working on some packaging/display options for the jewellery collection I made at the end of 2023, start of 2024. I really need to get them listed on my website, but wanted to make sure that if they did sell, I wouldn't be held up sending them off because I didn't have a suitable box to post them in.  I know that many businesses are all about branding and how they can be promoted on social media, but I have a problem with spending huge amounts of money on something that will be put in the (hopefully recycle) bin.  I sourced cardboard boxes locally, then have been using materials that I've collected from recycling facilities to create something to keep the necklaces safe and secure in transit.

Felt and leather jewellery display with cardboard easel. 

The biggest revelation was finally tracking down what I now know are called 'binding screws' or 'Chicago screws'. I had collected long ones from fabric sample books, but was desperate to get my hands on short ones, in a variety of finishes. I asked The Bloke if he knew of them, but his search came up empty handed. In frustration, I searched for "screws used to bind sample books together" and that's when my search yielded results. The screws give a nicer finish than using rivets. I also made some easel stands with scrap cardboard from Reverse Art Truck in Ringwood.  Now I just need to get them listed onto the website and fingers crossed, make a sale or two!  (Go and check it out and subscribe to the mailing list if you'd like to be kept up to date about new items.)

So that's what's been happening at Joystuff HQ. Cheers!

Trusting the process.

 G'day Stuffers! (Is it bold of me to give my readers a nickname? Does anyone else read this blog?)

I've just taken a break from the studio to make myself a coffee, wash a few dishes that I left soaking in the sink and take some pain medication to try and get rid of the headache that is forming.

The very messy studio before it had a major clean up last month.

I'm not sure if the headache is a symptom of my erratic period (hello perimenopause) or if it's from too much computer work/end of financial year stressors.  I finished what work I had to do at around lunchtime today, then headed in to the studio for some creative time.  I've had so many ideas forming in my head lately, but I just haven't had the time to get stuck in to it. I actually have to write myself a list to remind myself to make time for crafting. It's so easy to be distracted by Pinterest or Instagram (although I'm trying to wean myself off the latter, now that Meta has decided to implement AI scraping), and I've often said that I sometimes spend so much time developing an idea that by the time I get around to creating it, the urge has gone.

Improv patchwork made from decorator remnants.

                                          

I've spent the past few months thinking about making things to add to my Madeit store. I was so excited when the site was refreshed and relaunched last year. The new owner, Leina Broughton, has a wealth of knowledge about selling online, and she was happy to give us all pointers on how to market ourselves and our products, how to take better photos and write better headings to make SEO work for us. But the more videos I watched and the more things I read from other sellers on the Facebook page, I began to wonder if it was the right platform for me. The push to constantly post on Instagram, and to create reels and videos of me in the studio, didn't sit well with me. I don't want to be a content creator. I want to make weird little things from the many piles of fabrics I've collected over the years. I don't have a consistent look to my work. It's something that has bothered me my whole creative life. But I've accepted the fact. I make what I make because I enjoy teaching myself new skills. I like to use the things that I've collected. I'm not about mass producing products. And I'm not in it for the money. (Although it's always nice to make a sale and then donate 10% of that sale to a deserving cause.)

So, I keep coming up with ideas and I keep trying to bring them to fruition. But I just don't have the drive like I did when I was making bags to sell at markets. I think it's a combination of an oversaturated market for anything anyone could possibly want, coupled with a feeling of not being good enough, or not having the skills to market myself. 

Improv patchwork piece with added stitching, that I started in May. It's sat idle for the last few weeks.

I'll keep plugging away. I like the fact that when I'm in the studio sorting through fabrics and playing around with ideas, it helps me to destress from 'real' work. It also means that I get some time to myself, as the family tend to leave me to my own devices when I'm in there with the music turned up loud. (I can't tell you how many times they've startled me when they open the door.)
And hopefully soon, I'll have some new items to add to my shop and feel like I've accomplished something. 

Everyday Art Practice

 Hello there!

As usual, the months have started to zoom by, and here we are in April. Daylight Savings ended last weekend, which signals cooler evenings, earlier dinners and more time for creative pursuits, since I'm not outside until all hours, pottering in the garden.

January/February passed by in a blur.

The youngest child turned 21 at the end of January, so now I feel old. Both of my babies are officially adults now.😭 We had a lovely, low key barbeque lunch with close friends and family.

I managed a trip up to Tolmie mid-February. My remaining pine trees needed to be planted as we had a run of hot weather that really dried out the pots. Unbeknownst to me, some of the pots had blown over in a storm and were laying on their sides, not getting any rain. I got most of them in the ground and fenced them off using mesh panels that we had acquired at an auction. It was a very labour intensive 4 days, but I'm so pleased that I got them in the ground. I haven't had a chance to check on them since, but hope to get up there over the Easter break.

In my previous post, I mentioned that I was revisiting an embroidered panel that I had started quite a few years ago.  Unfortunately, I lost interest in that when I had an idea to add some black lace details to it, but couldn't find the materials to continue. I did buy a black lace dress at the Op-Shop and began to pull it apart, but the desire to continue had already left me. It's back on the WIP board until I get the urge to pick it up again. I played around with a few beaded pieces that I'd started, but nothing was holding my interest for very long. It may have been a combination of warm weather and an arm injury that was holding me back.

I'd often thought about buying one of those books that gives you an idea to create every day, such as this book by Lorna Scobie. I held off buying it whenever I saw it in the bookshop, because I knew my past record with finishing projects wasn't great and figured I'd do one or two pages then add it to the pile of neglected creative projects. Then one day, whilst mindlessly scrolling on Twitter or Facebook, I saw that someone had bought a Day to a Page diary and was drawing in it everyday. I decided that this was something that I could definitely handle.  When I was next at the shops, I purchased an A5 spiral bound diary with as little text on the pages as possible. I started on January 27th. I originally had the intention of going back and completing the January days that I had missed, but realised later on that this was probably not going to happen.

The goal was not to overthink things, but to just get something onto the page, using the tools and materials I have around me. (As an art supply addict, I have quite a few different mediums to choose from.) I would use images from books and magazines, online inspiration and my own photographs as a jumping off point. Quite often I would see a painting that I loved, or a great print on some fabric and think to myself, "I need to create something in that colour scheme or with that modern feel." Now was my chance to give it a go.

I discovered artists such as Sarah Schroeder , Julie Hamilton, Rachel Urquahart & Alisa Burke, and wanted to capture the loose, colourful style like theirs. I'd played around with collage here and there and really enjoyed it. It is a medium best suited to a large workspace where you can spread out all of the little bits and pieces of paper so that you can see the possibilities of the shapes and colours. My desk isn't that big and it's currently sharing space with beading supplies, books and various pens, glues and scissors. I have a drawer under my desk stuffed to the brim with scrapbook paper, old album covers, paper bags and various bits of wrapping paper. Collage is the perfect way to get ideas down fast, and it has become my go to when I've left my art practice until late in the day.

Some materials are not great on the thin paper that the diary pages are made from. Connector marker pens (left over from when my kids were at school) seep through the paper.

I had to create a cut out on the back of this page in order to cover up the colour seepage.

I bought some new Crayola markers and although I don't have a large colour selection to choose from, they work much better on this paper. They don't blend well and can have a tendency to look a bit messy, but I'm trying to lean into that.

My favourite medium would have to be paint sticks. Originally made for children, these non-toxic, waterbased sticks are like soft, fat crayons that glide on smoothly and can be blended like paint. I have a set of Little Brian and Boyle Chubbies. They're not suitable for fine, detailed colouring, but great for slapping down colour and then adding detail with pens and markers.

The only downside to these are the fact that they are a plastic barrel like a glue stick, so once the stick of paint is used, the barrel will end up in landfill (I can't see a recycling symbol anywhere.) It would be great if the barrels were either made from recycled plastic content, were recyclable or refillable, or the barrel was made of cardboard. It would also be great if you could buy the tubes individually, as there will definitely be colours that run out quicker than the others.

I'm learning so much about my own creative process. I've always liked drawing and sketching to get ideas down, but I've never been able to sit for hours and work on a realistic drawing. I can do an abstract that's full of lots of different textures and patterns, but they always look very 2 dimensional.

I just can't seem to draw what's in my head or what's right in front of me. It's like the hand-eye-brain signal gets crossed along the way. Or I start to draw and then a different style of drawing pops in to my head and I change my idea half way through. Here are some examples of drawing from my mind or using props. You can see how badly they turned out.

I want to practice doing more 3 dimensional drawing as well as learning about perspective, shading etc.

I found a cool picture of a a sculpture on Pinterest (sculpted by Paulie van der Heijden, I believe) and decided to have a go at drawing it. I was quite pleased with the results. I'd also like to draw something similar but instead of copying an object that has been created, try to draw something that I'd like to create myself.

I find that if I use a picture as a jumping off point, it's a great way of learning new techniques. When I saw this vintage fabric print by John Piper,

I knew I wanted to find a way to create the dry brush stroke look, without using a brush. I ended up cutting up some cardboard, painting them and then printing onto the paper.

They will become great colour references later on when I want to make a textile piece and need a starting point. Even though a lot of my stitched and beaded pieces evolve quite organically, it's always good to have an idea to start with, as it makes choosing fabrics so much easier.

I'm hoping to see patterns and a style develop, but all I'm seeing so far is that I really like bright colours and that I'm hesitant to have overlapping or intersecting lines in my drawings, because I'm worried that I'll stuff it up and ruin the picture. I'm only 2 months in, so there is still many pages ahead of me that are open to experimentation.

Anyway, here's a few of my favourites so far.

If you want to follow my progress, you can check out my Instagram stories @joystuffmakes . They're in the highlights section under March art, April art etc.

Welcome to the New Year!

 We have just ticked over to a New Year.  2022 is done and dusted and 2023 has just begun. (Well, it's actually mid afternoon now, but you get what I mean.)

I get excited during the Christmas/New Year period as it's a time to relax from the stresses of work and focus on what projects I'd like to tackle over the coming year.  As this time of year is usually hot and humid, it's a great time to sit inside with a fan running, doing some freehand stitching, or perusing books, websites and magazines and absorbing lots of creative inspiration.

This time last year, my focus was on jewellery making. I'd decided to tidy my workspace and sort the large quantity of beads and jewellery making supplies into a more organised system.

I sourced many images from my library of vintage textile books and started to form some ideas about the direction I wanted to take. I definitely wanted to combine embroidery and beading and use some of the many materials I had been acquiring over the years.

Ideas began to form. I wanted to try to have a better idea of how to make things with the materials that I already had on hand. Previously, I would get a vague idea of what I wanted to create, then become frustrated because I didn't have the right colour thread or the perfect bead. I had to focus on using what was on hand, not buying more.

I often think that I prefer the development and research stage more than the actual creating (which I have talked about previously). I can spend hours doing little scribbles on a page or flicking through books but more often than not, those ideas never become reality. I used to be annoyed at myself for this, but now, I realise that it's just who I am and I'm okay with that.

Carrying on from the "I have more materials than I could possible use in one lifetime", I changed tack Mid-January and acquired a whole bunch of necklaces from the Op-Shop. Vinnies and Salvos knew that they could appeal to my magpie tendencies, by bagging up broken and unloved old jewellery and selling it as a bulk lot.  I LOVE sorting through bags of broken and tangled beads! I think it goes back to when Mum would get boxes of old stuff from Uncle Frank (see previous post for more on him.)

I set myself a challenge to find an ugly old necklace and turn it into something completely different. It wasn't fully planned out- I just grabbed different bits of fabric and thread and started from there.

What was supposed to be a quick little project, ended up taking me about 5 months. I'd work on it for a bit, get frustrated at myself or the lack of findings and other components available in Australia and it would sit on my work table, taking up space.  I did make a few beading boards and that was helpful to be able to pick up the whole project and shift it out of the way. 

In June, I declared that the piece was finished and after photographing it on the mannequin, it now hangs in my hallway.  I'm not completely happy with the composition, but I'm pleased that I made it.

I have a recurring disc injury that made sitting at my desk quite painful, which explains the length of time it took to complete one thing. I'd get pins and needles in my arm if I sat for too long. I tried to complete some quick projects after that, but I could already see that my attention was shifting away from beads and back to textiles. I made few fun necklaces from old beads (some are for sale over at my website, if you're interested in purchasing.)

July saw me start on another piece using a dismantled necklace. I also started up a new sketchbook for jewellery making, to try to keep my ideas in one place. I needed to be better at recording techniques I wanted to try, as well as annotating my sketches with stitch and material ideas.

This piece, and the wall hanging behind it, both remain unfinished.

Another idea formed in August.  I discovered new materials that made working with beads so much easier, (I'm looking at you, bead backing and Fireline thread) and wished I had made this discovery so much earlier.  I had also recently acquired a lot of bugle beads in various colours (thankyou Op-Shop gods) and was kind of obsessed with them. So I started making gem pendants.

These are also currently unfinished and have been pinned to my WIP board for when I feel the urge to pick them up again.

I moved onto another beaded pendant, this time using some crystal chips from an old necklace.

I had an idea to create something weathered and worn, like a brutalist copper wall plaque, with mushrooms and moss growing on it. 

I've finished the stitching, but can't decide on how to mount it, so it's sitting on a bead board waiting for inspiration.

The latter half of the year seemed to be all about recovering from various bouts of Covid-19, respiratory infections or muscle tears.  We had floods and unusual weather for many months, so when the sun was shining, I tried to get out into the garden to make the most of it, and to get the jungle of weeds under control. I did spend a lot of time procrastinating this year. I think when you're not feeling 100% well, you self-soothe with the things that are the least taxing. I've spent way too many hours browsing on Pinterest and Instagram, or reading interior design books.  I've tried to be constant with getting some ideas into my sketchbook and I like going back to it for inspiration.

When I turned 50 at the end of 2020, I realised that I'm not going to make money from being creative like I did in my 20's and 30's. I needed to stop trying to create the Next Big Thing and just enjoy the act of crafting. Since having that revelation, I've enjoyed the creative process much more and I'm enjoying learning new things at my own pace. I read many stories of people that have had full careers, before deciding to live a creative life and having all of this success, seemingly overnight from it. The reality says otherwise. Many stitchers that I've spoken to have all said that they do it for the sheer enjoyment, or for the community that they found. Unless you are relentless with self promotion (which is harder now thanks to the changes to Facebook & Instagram), or market your products via sites like Etsy (which I refuse to because of their stance on CSA materials being sold on the site) or physical markets, how do you get seen?  There are various awards and art prizes that I could try for but truth be known, I don't seek external praise like I used to. I think I've finally realised that the only person that I need to create for, is me.

So in 2023, I've decided to revisit (and hopefully complete) old projects.  I'll fill blank spaces on my wall. I'll make random accessories when the mood strikes. I'll start a project halfway through something else I'm working on and then put the in a box with all of the rest, whether finished or not. 

Here's a few things started back in 2017, 2019 and later. 

I've got the red and green floral piece on an embroidery frame as I write this, and hope for some more hot and humid days over this Summer break, so that I can work on it.

So fingers crossed for a year of good health, free time and untangled threads. 

xx Joy